Metamorphosis of narcissus salvador dali essay

This painting uses a lot of images to say what it means, for example, a person, a hand, water, a starving dog, a chess board, a canyon or cliff, and people. This is not to fill the paper or distract the viewer from the suggested meaning or point, but to support the idea that hope and despair are reflections of one another; on opposite sides of a coin, spinning in mid-air, waiting to land and fix or destroy everything. The first thing that one thinks upon first seeing it, from far away, is that Dali just painted the same thing twice.

Metamorphosis of narcissus salvador dali essay

Freud used free association to trace the symbolic meaning of dream imagery to the unconscious. Dali applied the same psychoanalytic device to his pictorial imagery. In the painting there are two sets of representations of idealised desire as opposed to reality. In the foreground to the left we see Narcissus representing the ephemeral androgynous beauty, seeming neither male nor female and yet both.

To the right we see the hand representing harsh reality. On the background to the left we have a crowd of animated naked individuals.

These individuals are either male of female and represent reality, while on the right hand side we have the image of perfection in a pedestal, again androgynous and signifying the perfection of idealised unity. This repetition of themes reflects the way Freud writes, constantly coming back to the same fundamental points.

Just as Freud manifests the compulsion to repeat which is necessarily unconscious in the conscious writing of his work, Dali expresses the same in his painting. Holding an egg a favourite Dalinian symbol representing duality of hard exterior and soft interior, and links with pre-natal imagery that here could represent reproduction, the sexual drive, or life instinct.

Metamorphosis of narcissus salvador dali essay

Yet at the same time we see ants inexorably crawling towards that egg. This hand hand of creation?

Metamorphosis of narcissus salvador dali essay

The flower sprouting from the cracked egg represents a merging of those two concepts. It is a new life, but a new life that has sprouted from death, as the flower grows upon the place where Narcissus dies. The other theme of this painting is the idealisation of unattainable desires. The hand represents the harsh and unchangeable reality of life and death — as represented by the sexual and death drives — in duality and opposition to the ephemeral and idealised figure of Narcissus.

Narcissus, in turn, represents desire, as the reflected image symbolises what Lacan describes as the moment of initial recognition, when the mirror image represents a more perfect idealised image of the self.

Therefore we could interpret this image of Narcissus not only as longing to be united with his image, but perhaps also longing for death, which would lead to this inorganic state of being.

Towards the background we see the already mentioned naked figure on a pedestal. Yet it is not the person per se that we are raising to that level, but the idea of completeness that we aspire to.

The figure on the pedestal, like Narcissus, is androgynous, neither obviously male nor female, representing the unity of the two halves that is impossible and that we all idealise. This duality is also symbolised by the fact that the pedestal stands on a chequered floor, and it is placed precisely with half of it sanding on a black square and half on white, uniting male and female in the perfect unison idealised in the Oedipus complex, where the yearning to be reunited with the mother, to be complete and return to that perfect relationship is expressed in this ever unfulfilled desire.

London and New York: The Penguin Freud Library, Volume The Theory of Psychoanalysis.This painting is Dali’s interpretation of the Greek myth of Narcissus. Narcissus was a youth of great beauty who loved only himself and broke the hearts of many lovers.

The gods punished him by letting him see his own reflection in a pool. He fell in love with it, but discovered he could not embrace [ ].

Metamorphosis of Narcissus - Salvador Dali The painting Metamorphosis of Narcissus was created in by oil on canvas by Salvador Dali. This painting uses a lot of images to say what it means, for example, a person, a hand, water, a starving dog, a chess board, a canyon or cliff, and peop.

Essay: Metamorphosis of Narcissus – Salvador Dali The painting Metamorphosis of Narcissus was created in by oil on canvas by Salvador Dali.

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This painting uses a lot of images to say what it means, for example, a person, a hand, water, a starving dog, a . Dali's Metamorphosis of Narcissus, Smarthistory Metamorphosis of Narcissus () is an oil-on-canvas painting by the Spanish surrealist Salvador Dalí.

This painting is from Dalí's paranoiac-critical period. The painting Metamorphosis of Narcissus was created in by oil on canvas by Salvador Dali. This painting uses a lot of images to say what it means, for example, a person, a hand, water, a starving dog, a chess board, a canyon or cliff.

The painting Metamorphosis of Narcissus was created in by oil on canvas by Salvador Dali. This painting uses a lot of images to say what it means, for example, a person, a hand, water, a starving dog, a chess board, a canyon or cliff, and people.

Textual Analysis - Metamorphosis of Narcissus | Alice Atkinson-Bonasio - initiativeblog.com