After this is complete, a final step in the mini-review is to take the content of pages and shrink that down to one paragraph that you place at the top as a summary of the whole review.
For that reason, I would like to make a formal request or, more accurately, to codify a policy I had to adopt in self-defense a while back.
Ideally, in either the comments section of the most recent post or, even better, in a post related to the question?
Asking me to address your concerns privately deprives other readers of the opportunity to see the answer and ask follow-up questions. Is that code for a particular length? In the order asked: Hey, nobody said that this process was going to be easy — or easy to figure out.
If any malignant or ill-informed soul ever tells you otherwise, you would be better off whacking yourself in the head with a pound carp than taking that ridiculous counsel to heart.
The general rule of thumb for everything an aspiring writer sends an agent is send them precisely what they ask to see. Because, as I have mentioned in previous posts in this series, 5-page synopses have historically been standard for agents to ask clients they have already signed to produce for their next projects.
Not that the point of this exercise is to guess what the agent is thinking. Not about synopsis length, anyway. To recap, a successful nonfiction synopsis should: And thus the market appeal of your book — or any nonfiction book, actually.
Do I already hear some impatient huffing out there? Kindly mend your ways accordingly, missie. A professional nonfiction synopsis, on the other hand, is mostly about content, but as we discussed yesterday, often is effectively a micro-proposal as well.
Or, to put it a bit more bluntly: Why, yes, that does tend to be a trifle satisfying to novelists everywhere, now that you mention it. They have to write the whole darned book before they can legitimately start sending out queries and submissions; typically, all a nonfiction writer has to polish off is a sample chapter and a book proposal.
And proposals, for the benefit of those of you who have not yet written one, are made up almost exclusively of marketing material. Most of the time, nonfiction sells better. Okay, try this little experiment: Are most of the books fiction or nonfiction?
Which means, at the querying and submission stages, that a nonfiction synopsis that acts like a fiction synopsis — that is, sticking to the story and nothing but the story — is typically a less effective marketing tool than one that gives some indication of what kinds of readers are in desperate need of this particular book and why.
Stop waving that dead fish at me. Yes, the quality of the writing does make a difference in any query or submission, but the fact is, while novels can — and do — sell on the writing alone, even the best-written nonfiction is seldom marketed primarily upon the quality of the writing.
Okay, go ahead and spit out that resentment: So I guess you just misspoke about memoirs being sold by proposal, right? Or even as a condition of acquisition. Yes, even in memoirs — the writer may have lived the life, but ultimately, the editor is the one who decides what parts of that life are and are not included in the published book.
Well, a couple of reasons. Yes, you read that correctly: Working with an agency with a finish-it-first requirement does not necessarily equal a get-out-of-writing-a-proposal pass.
Try to look on the bright side. Why, all you have to do to come up with an annotated table of contents is to flip through the book, see what each chapter is about, and summarize it. And before anyone asks: In the throes of writing, revising, and composing marketing materials for a book, it can be hard to remember that.
In this spirit, I reiterate: This is particularly true if you are pushing a book about anything that ever occurred west of, say, Pittsburgh to a NYC-based agent or editor, or any story set north of Santa Barbara or east of Los Vegas to an LA-based one.
Oh, should I have warned you to sit down before that one? It tends to come as a shock to writers living outside the Boston-DC Amtrak corridor.
The rest of the country is far more likely to know about the general tenor of life in NYC or LA than the fine denizens of those megapoli megapolises looks so silly than the other way around.How to write a novel synopsis also this [ ] Vote Up 0 Vote Down Reply.
5 years ago. agreaney. Thank you, Jane, for a great roadmap. I am writing my synopsis for a literary memoir with plans to send to 3 agents who have already requested proposals and sample chapters. Very Insightful and Comprehensive information on Synopsis writing! I’m. PhD and Dissertation Advice.
Writing a Mini-Review: A Crucial Task in PhD Research. Posted on March 2, by gkarakey. Introduction. One of the research tasks that’s given me a tremendous amount of benefit during my PhD is the writing of a mini-review.
Writing a mini-review gets you into the groove of writing. Writing the Perfect Synopsis. The thought of condensing your ,word masterpiece into a synopsis may seem more daunting than writing the novel itself The synopsis is essentially a mini novel.
Don’t keep the publisher guessing. Search the web to find synopsis examples. The challenge of writing an effective synopsis is twofold. First, you need to summarize the topic in only one or two sentences. Second, your synopsis needs to reveal just enough of the topic's central drama while not spoiling key parts.
Writing the Perfect Synopsis. The thought of condensing your ,word masterpiece into a synopsis may seem more daunting than writing the novel itself The synopsis is essentially a mini novel. Don’t keep the publisher guessing.
Search the web to find synopsis examples. Learn how to write a synopsis with quick and easy tips for synopsis formats, see synopsis examples from fiction writing, and become a pro at writing a synopsis!